Michelle Prazak

Her work focuses on the study of perceptual processes and the exploration of concepts associated with space, time, and transformation. The simulation of three-dimensional form on a flat surface and the implicit movement, as in folding or offsets, form the basis of her abstract painting practice. Solid manifestations representing the immaterial, reflecting a deep interest in how different elements behave and interact: how color and different surfaces converse, their allusions, their spatial changes, and playful form. Seemingly still, her pieces are constantly moving and do not conform to a single interpretation. In the process, the idea of ​​a dynamic and relative vision develops, underscoring the impossibility of establishing a single, absolute point of view; thus provoking the gaze and encouraging it to adopt a potentially new way of seeing.